One of Brian’s Favorite Quotes
I wish I wasn’t the war president. Who in the heck wants to be a war president? I don’t.”
— George W. Bush (1946– )
forgetting that he has launched wars in Iraq and Afghanistan, Washington, D.C., Aug. 6, 2004
The Greatest Christmas Carol
by Gary North: Ron
Paul’s Inaugural Address, Written by His First (and Only) Speechwriter
we have written
before about Dickens’ miraculous story. It is time to write about
Sim’s miraculous performance.
Perhaps a cable
TV channel will uncover Sim’s chronicle of A
Christmas Carol. If not, watch it here.
Watch it not only for aged time’s sake, though since everyone
needs to remind himself that good things happen, though they contingency start
That is also
a summary of that other Christmas classic, It’s
a Wonderful Life.
In both movies,
a bad male is a money-lender. In both movies, a essential agents
of transforming self-awareness are supernaturral. This is also true
in a second-tier Christmas film, The
Bishop’s Wife. If a operation of angels unequivocally is from Henry
Travers’ Clarence to Cary Grant’s Dudley, afterwards there is a bell-shaped
bend in heaven, too. (As an aside, Carol Kane’s spook of Christmas
benefaction set a customary in Scrooged.
angel is certainly during a distant finish of a bell-shaped bend for
I can remember
where we initial saw a film. we sat alone in a museum in 1951. My
relatives frequency took me to a movies, though they let me go, and in
1951, we went a lot. We had altered to Denver that year, and there
was no radio in Denver yet. we was 9 years old. we had become
a TV addict, commencement in 1949. We had TV in Los Angeles. So, I
had schooled a delights of relocating shadows on a screen. we used movies
as a kind of artistic methadone in 1951. Movies reduced a withdrawal
That same year,
we had been perplexed by Jose Ferrer’s description of Cyrano. we went
behind to see it several times. The year sealed with Sim’s Scrooge.
My standards for behaving were set by those dual films. Ferrer won
a Oscar. Sim was not mentioned. But Sim’s opening is a greatest
in any Christmas movie, so it endures and will endure.
Sim’s description so noted is his ability to pierce before a eyes
from clearly inveterate devout dark by bewail to sympathy
to fear to redemption. He becomes a altered man. Sim’s portrayal
of this mutation is believable. We do not understand that we
are examination a dictatorial performance. We are examination a male go from
dark to light.
a male who is driven by mercantile concerns. These concerns have consumed
him. Yet there is deliverance. His environment does not change overnight.
His self-awareness does.
What is striking
in a story though generally on a shade is a grade to which
a environment does not change. This environment is a heart of the
story. His mercantile environment on a day before Christmas is just
like a day after Christmas. But Scrooge is not a same. Personal
emancipation takes place within a context of mercantile continuity.
The economy does not change. Scrooge changes.
I know of no
instance in renouned novel that is some-more antagonistic to Marxism’s
mercantile determinism than this story. Published in a same year
(1843) that Moses Hess converted both Marx and Engels to communism,
A Christmas Carol reminds us that it is not a economic
mode of prolongation that serves as a basis of society, with
religion, art, culture, and truth as a superstructure built
on top. It is a other approach around. Men change dramatically. Environments
year, Scrooge‘s nephew invites him to a Christmas dinner: continuity.
Year after year, he declines: continuity. Then he shows up: discontinuity.
Why? A larger discontinuity. A revolution. But not a amicable revolution.
If Marx and
Engels had been converted by Charles Dickens rather than Moses Hess,
a universe would be a really opposite place. There would have been
no Lenin and therefore no Hitler. There would have been no Mao.
Both group had
distinguished Christmas in their youth. Both went by a two-stage
conversion: initial to materialism (Feuerbach), afterwards to communism
(Hess). This constructed a array of domestic revolutions that changed
a world. The superstructure was a span of really bad ideas.
prevails, 1843-2011. No wire hire will be display Reds
There is no
Christmas tune in a story. No one sings a strain of a birth of
Christ. Yet Dickens saw a story as carrying a vital duty of
a Christmas carol. It is a strain of an overnight transformation.
It is a physical Christmas carol.
remade in his string nightshirt. He sees deputy days
of Christmas past, present, and destiny as an witness in a nightshirt.
A nightshirt was a symbol of resources in 1843. Not many people in the
universe could means a nightshirt. We do not consider of this when we
see a movie. In 1823, an American poem, A
Visit from St. Nicholas, had described a wealth:
a night before Christmas, when all by a house
Not a quadruped was stirring, not even a mouse;
The stockings were hung by a funnel with care,
In hopes that St. Nicholas shortly would be there;
The children were nestled all cosy in their beds,
While visions of sugar-plums danced in their heads;
And mamma in her ‘kerchief, and we in my cap,
Had only staid down for a prolonged winter’s nap,
A inexpensive cotton
nightcap was a product of a Industrial revolution. By 1823,
this resources was apropos visible. It influenced Christmas. It made
Christmas celebrations some-more bountiful. It lowered a cost of celebrating
. . . and all else.
Sim does not
let us forget a bulk of a transformation. There was never
a larger master of a scowl. The stage in a grill where
he will not compensate for another square of bread has been etched into
my mind for 60 years. The contrariety between that glower and his leaping
adult and down a subsequent morning could not be greater. “I’m as giddy
as a inebriated man.”
has so infused me with a Christmas suggestion that we have decided
not to abuse a SOB who colorized it. Merry Christmas, we humbug.
But we am not going to wish we a happy New Year. There are limits.)
romantic contrariety is because Sim’s description set a customary for the
If we have
ever seen George
C. Scott’s performance, we see a border to that Sim set
a standard. The stage where Scott calls out a window to the
boy, to get him to go buy a turkey, is a knock-off of Sim’s performance.
Scott was no artistic thief. But in this case, he only could not
urge on a scene.
This purpose was
Sim’s greatest. we desired him in The
Green Man a many pleasant comedy description of
a paid murderer that we have ever seen. But Sim is Scrooge. we think
he will still be Scrooge in a hundred years.
2011 Gary North